The superhet or superheterodyne radio receiver
- an introduction or tutorial about the basics of how the superhet or
superheterodyne radio receiver works and how it can be used in radio
communications systems.
The superhet radio or to give it its full name the
superheterodyne receiver is one of the most popular forms of receiver in use
today in a variety of applications from broadcast receivers to two way radio
communications links as well as many mobile radio communications systems. First
developed at the end of the First World War, with its invention credited to the
American Edwin Armstrong, the use of the superhet has grown ever since the
concept was first discovered.
Mixing
The idea of the superhet revolves around the process of
mixing. Here RF mixers are used to multiply two signals together. (This is not
the same as mixers used in audio desks where the signals are added together).
When two signals are multiplied together the output is the product of the
instantaneous level of the signal at one input and the instantaneous level of
the signal at the other input. It is found that the output contains signals at
frequencies other than the two input frequencies. New signals are seen at
frequencies that are the sum and difference of the two input signals, i.e. if
the two input frequencies are f1 and f2, then new signals are seen at
frequencies of (f1+f2) and (f1-f2). To take an example, if two signals, one at a
frequency of 5 MHz and another at a frequency of 6 MHz are mixed together then
new signals at frequencies of 11 MHz and 1 MHz are generated.
![The mixing process used in the superheterodyne radio](/images/electronics/s_het01.gif)
The signals generated by mixing or multiplying two
signals together
Concept of the superheterodyne receiver
In the superhet or superheterodyne radio, the received signal
enters one input of the mixed. A locally generated signal (local oscillator
signal) is fed into the other. The result is that new signals are generated.
These are applied to a fixed frequency intermediate frequency (IF) amplifier and
filter. Any signals that are converted down and then fall within the passband of
the IF amplifier will be amplified and passed on to the next stages. Those that
fall outside the passband of the IF are rejected. Tuning is accomplished very
simply by varying the frequency of the local oscillator. The advantage of this
process is that very selective fixed frequency filters can be used and these far
out perform any variable frequency ones. They are also normally at a lower
frequency than the incoming signal and again this enables their performance to
be better and less costly.
To see how this operates in reality take the example of two
signals, one at 6 MHz and another at 6.1 MHz. Also take the example of an IF
situated at 1 MHz. If the local oscillator is set to 5 MHz, then the two signals
generated by the mixer as a result of the 6 MHz signal fall at 1 MHz and 11 MHz.
Naturally the 11 MHz signal is rejected, but the one at 1 MHz passes through the
IF stages. The signal at 6.1 MHz produces a signal at 1.1 MHz (and 11.1 MHz) and
this falls outside bandwidth of the IF so the only signal to pass through the IF
is that from the signal on 6 MHz.
![The basic concept of the superhet radio](/images/electronics/s_het02.gif)
The basic concept of the superhet radio
If the local oscillator frequency is moved up by 0.1 MHz to
5.1 MHz then the signal at 6.1 MHz will give rise to a signal at 1 MHz and this
will pass through the IF. The signal at 6 MHz will give rise to a signal of 0.9
MHz at the IF and will be rejected. In this way the receiver acts as a variable
frequency filter, and tuning is accomplished.
Image responses
The basic concept of the superheterodyne receiver appears to
be fine, but there is a problem. There are two signals that can enter the IF.
With the local oscillator set to 5 MHz and with an IF it has already been seen
that a signal at 6 MHz mixes with the local oscillator to produce a signal at 1
MHz that will pass through the IF filter. However if a signal at 4 MHz enters
the mixer it produces two mix products, namely one at the sum frequency which is
10 MHz, whilst the difference frequency appears at 1 MHz. This would prove to be
a problem because it is perfectly possible for two signals on completely
different frequencies to enter the IF. The unwanted frequency is known as the
image. Fortunately it is possible to place a tuned circuit before the mixer to
prevent the signal entering the mixer, or more correctly reduce its level to
acceptable value.
Fortunately this tuned circuit does not need to be very
sharp. It does not need to reject signals on adjacent channels, but instead it
needs to reject signals on the image frequency. These will be separated from the
wanted channel by a frequency equal to twice the IF. In other words with an IG
at 1 MHz, the image will be 2 MHz away from the wanted frequency.
![Removing the image signal in a superheterodyne receiver](/images/electronics/s_het03.gif)
Using a tuned circuit to remove the image signal
Complete superheterodyne receiver
Having looked at the concepts behind the superheterodyne
receiver it is helpful to look at a block diagram of a basic superhet. Signals
enter the front end circuitry from the antenna. This contains the front end
tuning for the superhet to remove the image signal and often includes an RF
amplifier to amplify the signals before they enter the mixer. The level of this
amplification is carefully calculated so that it does not overload the mixer
when strong signals are present, but enables the signals to be amplified
sufficiently to ensure a good signal to noise ratio is achieved.
The tuned and amplified signal then enters one port of the
mixer. The local oscillator signal enters the other port. The local oscillator
may consist of a variable frequency oscillator that can be tuned by altering the
setting on a variable capacitor. Alternatively it may be a frequency synthesizer
that will enable greater levels of stability and setting accuracy.
Once the signals leave the mixer they enter the IF stages.
These stages contain most of the amplification in the receiver as well as the
filtering that enables signals on one frequency to be separated from those on
the next. Filters may consist simply of LC tuned transformers providing
inter-stage coupling, or they may be much higher performance ceramic or even
crystal filters, dependent upon what is required.
Once the signals have passed through the IF stages of the
superheterodyne receiver, they need to be demodulated. Different demodulators
are required for different types of transmission, and as a result some receivers
may have a variety of demodulators that can be switched in to accommodate the
different types of transmission that are to be encountered. The output from the
demodulator is the recovered audio. This is passed into the audio stages where
they are amplified and presented to the headphones or loudspeaker.
![Block diagram of a superheterodyne radio](/images/electronics/select01.gif)
Block diagram of a basic superheterodyne receiver
The diagram above shows a very basic version of the superhet
or superheterodyne receiver. Many sets these days are far more complicated. Some
superhet radios have more than one frequency conversion, and other areas of
additional circuitry to provide the required levels of performance. However the
basic superheterodyne concept remains the same, using the idea of mixing the
incoming signal with a locally generated oscillation to convert the signals to a
new frequency.
Summary
While radio communications technology has advanced enormously
since the first introduction of the superheterodyne radio receiver, it is still
widely very widely used for many radio communicatiosn applications. It is widely
used for mobile radio communications as well as many general two way radio
communications applications. It also forms the basis of the great majority of
broadcast radio receivers and is used in most specialised radio communications
applications. In view of its many advantages, the superheterodyne radio receiver
is likely to remain in widespread use for very many years to come.
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